The Indian Express, May 2001
"Vasundhra's vocal recital
for Naada Inbam had tints of brilliance besides exhilaration stemming from high discipline
in kriti handling and stiking improvisations in raga alapanas like Mohanam, Mukhari and
Kharaharapriya mounted on a charming voice..."
The Hindu, April 2001
"Nowadays to hear a woman
artiste singing in her natural voice seems to be a boon to rasikas.
Vasundhra Rajagopal
conferred this on the listeners with a radiant Sankarabharanam vinyasa with distinction
and direction..."
The Hindu, February 1999
'...To her felicitous voice she
bought the weight of vidwat which was particularly revealing in the way she wove
swaraprastara patterns..."
The Hindu, December 1997
"....In what was claimed as
the best concert of the season at Hamsadhwani, Vasundhra Rajagopal gave a two hour
scintillating performance. Endowed with a sweet and well trained voice that is capable of
reaching all octaves at will and with clear brigas.....her tanam singing was
flawless..."
The Hindustan Times, New Delhi 1994
"What a mellifluous voice,
good enunciation of lyrics and virtuosity combining appeal and skill could achieve was
revealed in the two hour long recital of Tamil compositions by Vasundhra
Rajagopal..."
The Statesman, New Delhi September 1985
"...Her strong point is her
mellifluous voice, which enables her to sing effortlessly without mannerisms or laboured
effects. Her grasp of the alapana technique is to be marvalled at... One almost heard the
flute in her voice, the way she negotiated the raga covering entire gamut..."
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